AlanFluffFreemanRockShows Wiki

Show[]

YYYY-MM-DD
  • 1990-12-01
Comments
  • Alan Freeman's tracklistings from Robin Carmody of the Popscene website.

Sessions[]

  • Rose Tattoo

Track Listings[]

  • Scorpions: Don't Believe Her (LP - Crazy World) Vertigo
  • Cold Sweat: Cryin' Shame (LP - Break Out) MCA
  • Vangelis with Jon Anderson: So Long Ago, So Clear (LP - The Best Of Vangelis) RCA Victor
  • Deep Purple: Black & White (LP - The House Of Blue Light) Polydor
  • Electric Boys: Electrified (LP - Funk-o-Metal Carpet Ride) Vertigo
  • Nazareth: Kentucky Fried Blues (LP - Expect No Mercy) Mountain
  • Jethro Tull: Locomotive Breath (Live) (LP - Live - Bursting Out) Chrysalis
  • Dread Zeppelin: I Can't Quit You, Baby (LP - Un-Led-Ed) I.R.S
  • AC/DC: Mistress For Christmas (LP - The Razors Edge) ATCO
  • Steely Dan: Reelin' In The Years (LP - Can't Buy A Thrill) Probe
  • Rolling Stones: Stray Cat Blues (LP - Get Yer Ya Ya's Out!) Decca
  • Fish: The View Form A Hill (LP - Vigil In A Wilderness Of Mirrors) EMI

Rose Tattoo: Recorded at Reading August 1981

  1. One Of The Boys
  2. Manzil Madness
  3. Bad Boy For Love
  4. Assault And Battery
  5. Butcher And Fast Eddy
  6. Rock 'N' Roll Is King
  7. Rock 'N' Roll Outlaw
  • Peter Gabriel: Here Comes The Flood (CD - Shaking The Tree: Sixteen Golden Greats) Virgin [1]
  • Blues 'N' Trouble: Boogie Woogie Suzy Lee (LP - With Friends Like These) Unamerican Activities
  • Spread Eagle: Broken City (LP - Spread Eagle) MCA
  • Stomu Yamashta, Steve Winwood & Michael Shrieve: Crossing The Line (LP - Go) Island
  • Styx: Love Is The Ritual (LP - Edge Of The Century) A&M
  • Roger Waters: The Tide Is Turning (After Live Aid) (LP - Radio K.A.O.S) EMI
  • Bon Jovi: Livin' On A Prayer (LP - Slippery When Wet) Mercury

File[]

Name
  • Alan Freeman's Saturday Rockshow 01/12/90
Length
  • 2:24:14
Available
  1. 1990 re-recording from the compilation Shaking The Tree: Sixteen Golden Greats - if I may editorialise, this was his third English-language recording of the song and, happily, closer to the version on Robert Fripp's 'Exposure' album than the overproduced version on his 1977 debut.